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There’s always been a certain poetic intensity to Raj Kapoor’s cinema — but in 1978 he directed a film that stirred not just emotions but national headlines. That film was Satyam Shivam Sundaram and while it became a box office blockbuster it also earned notoriety for one unforgettable sequence. A legacy of cinema a storm of controversy Casting his son Shashi Kapoor opposite the stunning Zeenat Aman Raj Kapoor told a story that was visually rich — and unapologetically sensual. Zeenat played the character of Roopa whose half-scarred face and full heart became the central emotional thread of the narrative. But the aesthetic boldness Kapoor brought to the screen had never been attempted at this level in Indian cinema. Costume clashes and cultural shock Zeenat’s wardrobe in the film became the talk of the nation. Audiences weren’t used to such skin-baring costumes especially from mainstream actresses of the time. “People lowered their gaze in theatres” said critics who recalled the premiere. And yet Zeenat carried the character with fierce confidence. The song that ‘crossed all limits’ The most debated moment came in the song Rang Mahal ke Das Darwaze... filmed as a suhaag raat (wedding night) sequence. Raj Kapoor broke all boldness barriers in that scene said industry insiders. The visual styling — dimly lit but suggestive — created an uproar. “She was almost shown nude” many recalled. The scene filled with intimate moments and suggestive visuals remains etched in Bollywood folklore. Despite the backlash the song — and the film — became instant favourites both musically and theatrically. The pairing of Shashi Kapoor and Zeenat Aman was hailed as iconic. “Zeenat simply lit up the screen” wrote a 70s-era reviewer “and Shashi looked regal as the groom.” A blockbuster that still whispers Despite public outrage and moral debates Satyam Shivam Sundaram (1978) was a commercial hit. The films soundtrack story and visuals still inspire conversations — proving once again that Raj Kapoor knew exactly how to blend art beauty and shock.