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An Engaging Political Narrative

Kabir Khan's latest political thriller is infused with a rapid pace and palpable tension. If his previous film, Bajrangi Bhaijaan, was a soothing cup of lemon tea, Phantom serves as a robust morning coffee that invigorates and energizes. Following the monumental success of Bajrangi Bhaijaan, this film boldly addresses the issue of terrorism backed by Pakistan, presenting a stark wake-up call for both nations embroiled in a proxy conflict.

Phantom operates on a straightforward premise: in response to the 26/11 attacks, revenge is sought. Mohammed Zeeshan Ayyub portrays a novice RAW agent, embodying the nation's voice. His lack of experience among seasoned veterans becomes an unexpected advantage for an organization eager to bypass regulations in pursuit of justice for the 26/11 perpetrators.

A Thrilling Journey

The film unfolds like a gripping novel, showcasing Indian intelligence officers who exceed their official duties to combat terrorism. The chaos of extremism is subtly woven throughout the narrative, reminiscent of the alluring figures in classic spy films.

Khan skillfully navigates the complexities of international politics, blurring the lines between right and wrong, ultimately presenting a narrative that suggests vigilante justice is not merely a fantasy but a potential response to global radicalism, provided the government finds someone audacious enough to act.

Saif Ali Khan's Commanding Performance

Saif Ali Khan takes on the role of Daniyal Khan, a disgraced army officer, exuding a calm confidence that makes his adversaries appear inexperienced. His introduction features a chilling scene where he confronts a road rager in Chicago, leading to a dramatic fall from a bridge, all executed with a dispassionate demeanor.

Katrina Kaif, playing his ally, adds visual appeal but struggles to deliver a convincing performance. Her character, meant to blend in with locals, often distracts from the film's serious tone, particularly in a scene where she attempts to deceive soldiers at a checkpoint.

Visuals and Direction

While Zeeshan's performance stands out, the cinematography by Aseem Mishra draws attention for its striking visuals of cities like Chicago and Beirut, which may detract from the film's intended realism. The film's aesthetic choices, coupled with an uninspired musical score, contribute to a somewhat disjointed viewing experience.

Kabir Khan's direction brings a compelling narrative to life, adapting S. Hussain Zaidi's novel with a mix of engaging scenes and characters. Phantom emerges as a bold thriller that diverges from the idealism of Bajrangi Bhaijaan, creating a sense of urgency as the story unfolds.

Reflections on Terrorism

In a recent interview, Kabir Khan emphasized that Phantom is not anti-Pakistan but rather anti-terrorism, highlighting the shared trauma both nations face from terrorist attacks. He noted that while Phantom and Bajrangi Bhaijaan are distinct films, they both address the complexities of Indo-Pak relations.

Following the film's release, Khan faced backlash from protesters in Karachi, who criticized his portrayal of Pakistan. Despite the hostility, he remains committed to his artistic vision, asserting that the common person desires peace over violence.

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