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Pankaj Kapur Returns to Punjabi Cinema with Raavi De Kande
Gyanhigyan english | September 23, 2025 10:39 AM CST

Pankaj Kapur's Comeback to Punjabi Films

After a long hiatus since Marhi da Diva, acclaimed actor Pankaj Kapur is making his return to Punjabi cinema with the film Raavi De Kande. This family drama, directed by Harry Bhatti and penned by Jass Grewal, centers around Kapur's character.


During the trailer launch event on Monday, attendees expressed their admiration for Kapur, reminiscing about his iconic roles in Karamchand and Office Office. Despite the accolades, Kapur approached the event with humility, engaging with the audience and enjoying the camaraderie with his team.


When asked about his absence from Punjabi films, Kapur explained that he was eager to return but had not been approached until now. He expressed gratitude to Harry for presenting a script that resonated with him, leading to this exciting project.


The trailer reveals a gripping narrative where Kapur portrays a desperate father of four daughters, struggling to meet the demands of his eldest daughter's prospective in-laws, who are asking for Rs four lakh.


Kapur emphasized that stories like this reflect societal issues and aim to inspire change. He believes that if the film raises awareness about such practices, it will be a success.


Despite his three National Awards and widespread recognition, Kapur remains humble, quoting, "Hazaaron khwahishen aisi ki har khwahish pe dam nikle..." He reflects on the importance of patience and cherishes his time away from acting, enjoying walks, cooking, and tea with family.


To young actors, he advises, "Dedicate yourself to your craft and train diligently. Success doesn't come overnight; lasting achievements require hard work and commitment."



The cast of Raavi De Kande, which includes Harish Verma, Dheeraj Kumar, and BN Sharma, regards Kapur as a masterclass in acting. The film is set to release in theaters on October 10.


India’s Oscar Aspirations


Kapur extended his best wishes to those aiming for the Oscars but cautioned against dependency on awards. He advocates for creating exceptional cinema for the audience, suggesting that any accolades should serve as motivation to produce even better work that can resonate globally.



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